TEI-C Elections 2020 - Revision history

Luis Meneses: /* Gimena del Rio Riande */

2020-09-25T16:37:22Z

‎Gimena del Rio Riande

Luis Meneses: /* A Note on Voting */

2020-09-24T19:44:22Z

‎A Note on Voting

Luis Meneses: /* Introduction */

2020-09-24T19:20:05Z

‎Introduction

Luis Meneses: /* Laura Estill */

2020-09-24T17:43:32Z

‎Laura Estill

Luis Meneses: /* Laura Estill */

2020-09-24T17:43:01Z

‎Laura Estill

Luis Meneses: /* Laura Estill */

2020-09-24T17:42:31Z

‎Laura Estill

Luis Meneses: /* Laura Estill */

2020-09-24T17:41:33Z

‎Laura Estill

Luis Meneses: /* Laura Estill */

2020-09-24T17:40:20Z

‎Laura Estill

Luis Meneses: /* Laura Estill */

2020-09-24T17:40:06Z

‎Laura Estill

Luis Meneses: /* Laura Estill */

2020-09-24T17:39:50Z

‎Laura Estill

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 '''Statement of purpose'''
-I was elected last year to complete the final year of a term which had been vacated, and I have spent most of this year serving my 'apprenticeship' on the TEI Council, learning how the various parts of the project fit together and how to make a difference. TEI is a venerable project, and it has been a daunting task at times. I would now like to be elected to serve a full term so that I can put this knowledge to use for the community.
+I believe standards constitute the foundation of any sustainable global community. I’m committed to making the TEI more open and accessible to Spanish-speakers through different projects that focus on translating and re-contextualizing TEI materials to Spanish, and adapting Digital Scholarly Editions principles. Being part of the TEI-C board for one term gave me the opportunity to start this conversation about a more open, diverse, and global TEI “inside” the TEI-C. We are now planning the next steps for the newly born TEI Internationalization Working Group, in which I plan to involve the Spanish-speaking community, and I have also fostered best Open Access practices for the Journal of the TEI. I have chosen to stand for the Board in a second term, as I would like to continue working on these projects inside the TEI-C.
 '''Biography'''
-I studied Ancient and Modern History at University College, Oxford, where I also completed an MPhil in Greek/Roman History and a Doctorate focused on American Political Thought. I have held several research and teaching posts. I am currently the director of the Quill Project, at Pembroke College, Oxford, and collaborate with a number of institutions in the United States, including a deep partnership with an open-enrollment university.  My current role sees me involved in data-model design, visualization, user-interface design, and software engineering, alongside the traditional tasks of a historian.
+I am an Associate Researcher at the Instituto de Investigaciones Bibliográficas y Crítica Textual (IIBICRIT-CONICET, Argentina). I coordinate a DH Lab (HD CAICYT Lab, CONICET) and, among others, the Master in Digital Humanities (UNED, Spain) and the course “Digital Publishing with Minimal Computing” with Raff Viglianti (Global Classrooms Program, 2020-2023). I serve as one of the DOAJ (Directory of Open Access Journals) Ambassadors for Latin America, and director of the Revista de Humanidades Digitales, among others. I am the president of the Asociación Argentina de Humanidades Digitales (AAHD).
 == Candidate Statements: TAPAS Advisory Board ==

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 TEI Member voters, identified by email address, will receive a URL at which to cast their ballots. Upon closing of the election, all voters who cast a vote will be sent an email with a link to the results of the election, from which it is also possible to download the actual final ballots for verification. Individual members may vote in the TEI Technical Council elections. The nominated representative of institutions with membership may vote for both the TEI Board and TEI Technical Council.
-Voting closes on TBD at 23:59 Hawaii-Aleutian Standard Time (HAST) as it offers the latest global midnight.
+Voting closes on November 16, 2020 at 23:59 Hawaii-Aleutian Standard Time (HAST) as it offers the latest global midnight.
 == Candidate Statements: TEI Technical Council ==

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 == Introduction ==
-In 2020, TEI Members will hold an election to fill 5 open positions on the TEI Technical Council (4 for 3-year terms, 1 for a 2-year term) and 3 on the TEI Board of Directors (2 for 3-year terms, 1 for a 2-year term). We are also electing 1 new member to the TAPAS advisory board. The following persons have been nominated to the TEI Nominating committee and have agreed to stand as candidates for election to the TEI Technical Council, the TEI Board, and the TAPAS advisory Board. They have all supplied a statement covering two aspects:
+In 2020, TEI Members will hold an election to fill 5 open positions on the TEI Technical Council (4 for 3-year terms, 1 for a 2-year term) and 3 on the TEI Board of Directors (2 for 3-year terms, 1 for a 2-year term). We are also electing 1 new member to the TAPAS advisory board. The following persons have been nominated and have agreed to stand as candidates for election to the TEI Technical Council, the TEI Board, and the TAPAS advisory Board. They have all supplied a statement covering two aspects:
 . a candidate statement in which they discuss their reasons for wishing to serve on the Board, TAPAS or Technical Council and what their particular goals would be.

← Older revision		Revision as of 17:43, 24 September 2020
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	'''Biography'''		'''Biography'''

−	I am a Tier 2 Canada Research Chair in Digital Humanities and Associate Professor of English at St. Francis Xavier University in Nova Scotia, Canada. My research explores the reception history of drama by Shakespeare and his contemporaries from their initial circulation in print, manuscript, and on stage to how we mediate and understand these texts and performances online today. I am an Associate Director of the Digital Humanities Summer Institute at the University of Victoria, where I enjoy both taking and teaching classes (I have co-taught, for instance, “TEI Fun(damentals)” and “TEI for manuscript description and transcription”). I am a member-at-large of the Canadian Society for Digital Humanities executive. My published journal articles in Digital Humanities Quarterly, Digital Literary Studies, and Digital Studies/Champ Numérique explore digital pedagogy, marginalia and the TEI, and reception of early women's writing. My two co-edited collections are Early Modern Studies after the Digital Turn (2016) and Early British Drama in Manuscript (2019); I am a co-editor of Early Modern Digital Review (https://emdr.itercommunity.org). Based on the research for my monograph I am currently working on a TEI-based project, DEx: A Database of Dramatic Extracts.	+	I am a Tier 2 Canada Research Chair in Digital Humanities and Associate Professor of English at St. Francis Xavier University in Nova Scotia, Canada. My research explores the reception history of drama by Shakespeare and his contemporaries from their initial circulation in print, manuscript, and on stage to how we mediate and understand these texts and performances online today. I am an Associate Director of the Digital Humanities Summer Institute at the University of Victoria, where I enjoy both taking and teaching classes (I have co-taught, for instance, “TEI Fun(damentals)” and “TEI for manuscript description and transcription”). I am a member-at-large of the Canadian Society for Digital Humanities executive. My published journal articles in Digital Humanities Quarterly, Digital Literary Studies, and Digital Studies/Champ Numérique explore digital pedagogy, marginalia and the TEI, and reception of early women's writing. My two co-edited collections are Early Modern Studies after the Digital Turn (2016) and Early British Drama in Manuscript (2019); I am a co-editor of Early Modern Digital Review (https://emdr.itercommunity.org). Based on the research for my monograph I am currently working on a TEI-based project, DEx: A Database of Dramatic Extracts (https://dex.itercommunity.org).

← Older revision		Revision as of 17:43, 24 September 2020
Line 219:		Line 219:
	'''Biography'''		'''Biography'''

−	I am a Tier 2 Canada Research Chair in Digital Humanities and Associate Professor of English at St. Francis Xavier University in Nova Scotia, Canada. My research explores the reception history of drama by Shakespeare and his contemporaries from their initial circulation in print, manuscript, and on stage to how we mediate and understand these texts and performances online today. I am an Associate Director of the Digital Humanities Summer Institute at the University of Victoria, where I enjoy both taking and teaching classes (I have co-taught, for instance, “TEI Fun(damentals)” and “TEI for manuscript description and transcription”). I am a member-at-large of the Canadian Society for Digital Humanities executive. My published journal articles in Digital Humanities Quarterly, Digital Literary Studies, and Digital Studies/Champ Numérique explore digital pedagogy, marginalia and the TEI, and reception of early women's writing. My two co-edited collections are Early Modern Studies after the Digital Turn (2016) and Early British Drama in Manuscript (2019); I am a co-editor of Early Modern Digital Review (https://emdr.itercommunity.org). Based on the research for my monograph,	+	I am a Tier 2 Canada Research Chair in Digital Humanities and Associate Professor of English at St. Francis Xavier University in Nova Scotia, Canada. My research explores the reception history of drama by Shakespeare and his contemporaries from their initial circulation in print, manuscript, and on stage to how we mediate and understand these texts and performances online today. I am an Associate Director of the Digital Humanities Summer Institute at the University of Victoria, where I enjoy both taking and teaching classes (I have co-taught, for instance, “TEI Fun(damentals)” and “TEI for manuscript description and transcription”). I am a member-at-large of the Canadian Society for Digital Humanities executive. My published journal articles in Digital Humanities Quarterly, Digital Literary Studies, and Digital Studies/Champ Numérique explore digital pedagogy, marginalia and the TEI, and reception of early women's writing. My two co-edited collections are Early Modern Studies after the Digital Turn (2016) and Early British Drama in Manuscript (2019); I am a co-editor of Early Modern Digital Review (https://emdr.itercommunity.org). Based on the research for my monograph I am currently working on a TEI-based project, DEx: A Database of Dramatic Extracts.

← Older revision		Revision as of 17:42, 24 September 2020
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	'''Biography'''		'''Biography'''

−	I am a Tier 2 Canada Research Chair in Digital Humanities and Associate Professor of English at St. Francis Xavier University in Nova Scotia, Canada. My research explores the reception history of drama by Shakespeare and his contemporaries from their initial circulation in print, manuscript, and on stage to how we mediate and understand these texts and performances online today. I am an Associate Director of the Digital Humanities Summer Institute at the University of Victoria, where I enjoy both taking and teaching classes (I have co-taught, for instance, “TEI Fun(damentals)” and “TEI for manuscript description and transcription”). I am a member-at-large of the Canadian Society for Digital Humanities executive. My published journal articles in Digital Humanities Quarterly, Digital Literary Studies, and Digital Studies/Champ Numérique explore digital pedagogy, marginalia and the TEI, and reception of early women's writing. My two co-edited collections are Early Modern Studies after the Digital Turn (2016) and Early British Drama in Manuscript (2019); I am a co-editor of Early Modern Digital Review (https://emdr.itercommunity.org).	+	I am a Tier 2 Canada Research Chair in Digital Humanities and Associate Professor of English at St. Francis Xavier University in Nova Scotia, Canada. My research explores the reception history of drama by Shakespeare and his contemporaries from their initial circulation in print, manuscript, and on stage to how we mediate and understand these texts and performances online today. I am an Associate Director of the Digital Humanities Summer Institute at the University of Victoria, where I enjoy both taking and teaching classes (I have co-taught, for instance, “TEI Fun(damentals)” and “TEI for manuscript description and transcription”). I am a member-at-large of the Canadian Society for Digital Humanities executive. My published journal articles in Digital Humanities Quarterly, Digital Literary Studies, and Digital Studies/Champ Numérique explore digital pedagogy, marginalia and the TEI, and reception of early women's writing. My two co-edited collections are Early Modern Studies after the Digital Turn (2016) and Early British Drama in Manuscript (2019); I am a co-editor of Early Modern Digital Review (https://emdr.itercommunity.org). Based on the research for my monograph,

← Older revision		Revision as of 17:41, 24 September 2020
Line 219:		Line 219:
	'''Biography'''		'''Biography'''

−	I am a Tier 2 Canada Research Chair in Digital Humanities and Associate Professor of English at St. Francis Xavier University in Nova Scotia, Canada. My research explores the reception history of drama by Shakespeare and his contemporaries from their initial circulation in print, manuscript, and on stage to how we mediate and understand these texts and performances online today. I am an Associate Director of the Digital Humanities Summer Institute at the University of Victoria, where I enjoy both taking and teaching classes (I have co-taught, for instance, “TEI Fun(damentals)” and “TEI for manuscript description and transcription”). I am a member-at-large of the Canadian Society for Digital Humanities executive. My published journal articles in Digital Humanities Quarterly, Digital Literary Studies, and Digital Studies/Champ Numérique explore digital pedagogy, marginalia and the TEI, and reception of early women's writing. My two co-edited collections are Early Modern Studies after the Digital Turn (2016) and Early British Drama in Manuscript (2019); I am a co-editor of Early Modern Digital Review (emdr.itercommunity.org).	+	I am a Tier 2 Canada Research Chair in Digital Humanities and Associate Professor of English at St. Francis Xavier University in Nova Scotia, Canada. My research explores the reception history of drama by Shakespeare and his contemporaries from their initial circulation in print, manuscript, and on stage to how we mediate and understand these texts and performances online today. I am an Associate Director of the Digital Humanities Summer Institute at the University of Victoria, where I enjoy both taking and teaching classes (I have co-taught, for instance, “TEI Fun(damentals)” and “TEI for manuscript description and transcription”). I am a member-at-large of the Canadian Society for Digital Humanities executive. My published journal articles in Digital Humanities Quarterly, Digital Literary Studies, and Digital Studies/Champ Numérique explore digital pedagogy, marginalia and the TEI, and reception of early women's writing. My two co-edited collections are Early Modern Studies after the Digital Turn (2016) and Early British Drama in Manuscript (2019); I am a co-editor of Early Modern Digital Review (https://emdr.itercommunity.org).

← Older revision		Revision as of 17:40, 24 September 2020
Line 219:		Line 219:
	'''Biography'''		'''Biography'''

−	I am a Tier 2 Canada Research Chair in Digital Humanities and Associate Professor of English at St. Francis Xavier University in Nova Scotia, Canada. My research explores the reception history of drama by Shakespeare and his contemporaries from their initial circulation in print, manuscript, and on stage to how we mediate and understand these texts and performances online today. I am an Associate Director of the Digital Humanities Summer Institute at the University of Victoria, where I enjoy both taking and teaching classes (I have co-taught, for instance, “TEI Fun(damentals)” and “TEI for manuscript description and transcription”). I am a member-at-large of the Canadian Society for Digital Humanities executive. My published journal articles in Digital Humanities Quarterly, Digital Literary Studies, and Digital Studies/Champ Numérique explore digital pedagogy, marginalia and the TEI, and reception of early women's writing.	+	I am a Tier 2 Canada Research Chair in Digital Humanities and Associate Professor of English at St. Francis Xavier University in Nova Scotia, Canada. My research explores the reception history of drama by Shakespeare and his contemporaries from their initial circulation in print, manuscript, and on stage to how we mediate and understand these texts and performances online today. I am an Associate Director of the Digital Humanities Summer Institute at the University of Victoria, where I enjoy both taking and teaching classes (I have co-taught, for instance, “TEI Fun(damentals)” and “TEI for manuscript description and transcription”). I am a member-at-large of the Canadian Society for Digital Humanities executive. My published journal articles in Digital Humanities Quarterly, Digital Literary Studies, and Digital Studies/Champ Numérique explore digital pedagogy, marginalia and the TEI, and reception of early women's writing. My two co-edited collections are Early Modern Studies after the Digital Turn (2016) and Early British Drama in Manuscript (2019); I am a co-editor of Early Modern Digital Review (emdr.itercommunity.org).

← Older revision		Revision as of 17:39, 24 September 2020
Line 219:		Line 219:
	'''Biography'''		'''Biography'''

−	I am a Tier 2 Canada Research Chair in Digital Humanities and Associate Professor of English at St. Francis Xavier University in Nova Scotia, Canada. My research explores the reception history of drama by Shakespeare and his contemporaries from their initial circulation in print, manuscript, and on stage to how we mediate and understand these texts and performances online today.	+	I am a Tier 2 Canada Research Chair in Digital Humanities and Associate Professor of English at St. Francis Xavier University in Nova Scotia, Canada. My research explores the reception history of drama by Shakespeare and his contemporaries from their initial circulation in print, manuscript, and on stage to how we mediate and understand these texts and performances online today. I am an Associate Director of the Digital Humanities Summer Institute at the University of Victoria, where I enjoy both taking and teaching classes (I have co-taught, for instance, “TEI Fun(damentals)” and “TEI for manuscript description and transcription”). I am a member-at-large of the Canadian Society for Digital Humanities executive.